|
EDITORIAL: GREAT BRIDGES—SIGNPOSTS FROM SPACE Nigerian fiction has been in the news over the last three months with the publication of short stories by two important Nigerian writers in the Guardian UK—first it was Helon Habila’s “The Second Death of Martin Lango” and then Chimamanda Adichie’s “Miracle” These stories demonstrate the versatility of Nigerian authors; they deal with global and local themes in a seamless, knowing manner—without the fussiness of artists unsure of their stage and without the superfluous flourishes that mark out the less talented, the ingénues. It is this familiarity with language and one’s story that sets better fiction apart from its kin—the bare, mere narrative. Continue reading >> |
| ESSAYS & REVIEWS |
| Art is Debt we Owe by Tolu Ogunlesi |
| A Review of Ferdinand ‘Ladi Adimefe’s Pulse by Sylva Nze Ifedigbo |
| A Glorious Thunder for the Nigerian Thriller genre, a review of Debayo Adelaja Olowoake’s Thunder, Lightning and Storm by Henry Chukwuemeka Onyema, winner Sentinel Nigeria/Jude Dibia Fiction Review Competition 2011. |
| INTERVIEWS |
|
|
| FICTION |
|
You knew. You didn’t care. That he didn’t believe your Jesus was son of God. That he smoked shisha. That he knew what you felt…Your Man by Elnathan John |
|
The last entry in Silvanus Eze’s diary was a single sentence, quite ordinary, not by any chance thought-provoking but it would later cost him everything he was, and all that he was not. Ugobenna by Ifesinachi Okoli-Okpagu. |
| Tears welled in Ukela’s eyes and trickled down his sunken cheeks. As he gazed on the ruins of what used to be his home… The Son of the Soil by Humphrey Ogu |
| The little timber church was empty when Oguebie and Ideheno pushed open the door. It had once been handsome and ebony black but now had developed large cracks in its grain. Excerpt from Onaedo: The Blacksmith’s Daughter by Ngozi Achebe |
| “My oga fucks men.” Those were the first words Gabriel Achimota heard when he entered the drivers’ waiting room that raining morning in June. Driver by Jude Dibia |
| DRAMA |
| Lady: …I am a woman of great substance. When people see me, they will all nod their heads in approval of me. All shall whisper of my goodness. (smiles excitedly) …see what appearances can do! Women will be envious. Men will be lecherous… Merely a House by Emmanuella Nduonofit |
| POETRY |
| Two Poems | Chiemerie Jerry Okenwa |
| Two Poems | Ebele Mogo |
| Two Poems | by Iye Keregbe |
| The Pilgrims’ Prayer | Tonye Willie Pepple |
| Look Me in the Eyes | Nathaniel Soonest Iheanyi |
| Untitled | Uche Mbah |
| Love Finds its Way | Promise Ugochukwu |
| SAFARISCOPE |
| Shades of the Future | Michael Onsando |
| Names of the Dead | Sitawa Namwalie |
-
Issue #8, Quick Navigation
-
Top Pages & Authors
-
Recent News & Posts
Recent Comments
- Inside the Book | The Ghost of Sani Abacha on Man-Rating
- okoye chukwudi charles on Uche Mbah
- okoye chukwudi charles on Tonye Willie Pepple
- okoye chukwudi charles on Nathaniel Soonest Iheanyi
- Stephanie on Nathaniel Soonest Iheanyi
- Iferikigwe Okechukwu on Ukamaka Evelyn Olisakwe
- Fuzzy tom on Tonye Willie Pepple
- Humphrey on The Son of the Soil
- CHINELO IBEKWE on Purple Hibiscus, Adichie’s Debt to Achebe?
- Humphrey Ogu on The Son of the Soil
“I’m both a scientist and an artist because I was exposed to both quite early. I came to write the Blacksmith’s Daughter by happenstance. I was researching a novel about the Nigeria-Biafra civil war and came across Sao Tome Island which was a site of humanitarian relief to the then blockaded Biafra. I found the ancient history of Sao Tome quite fascinating and so decided to write a different book altogether.”